- €199 or 3 monthly payments of €89
Cinematography for Filmmakers
- Course
- 137 Lessons
- Discord access
The Definitive Masterclass for Filmmakers who aspire to become Director of Photography. In this course, you'll learn how to craft cinematic images by mastering light, know all the existing emitters, and work in any possible light condition.
What this Masterclass is about?
And how it's going to change your professional career
Deep dive into the art and science of cinematography (know also as visual pleasure.. ooor visual storytelling).
A course designed exclusively for aspiring Directors of Photography by a professional Director of Photography who was a Filmmaker like you.
Your passport to mastering light, decoding must-know schemes, and gaining a comprehensive understanding of everything a true DP must know.
What will you lean?
Everything about light and light emitters
Know all the existing emitters and learn how to master them dependently on the job you're in.
Crafting images like a professional
Learn how to read light and apply it to your schemes in a professional way!
Practical Light Schemes on set experience
Enjoy and learn from the creation of practical live schemes made ON SET
Illuminate for every condition!
Learn from Day-Night sets illuminated in Interiors and Exteriors
And many more topics!
- €199 or 3 monthly payments of €89
Cinematography for Filmmakers
- Course
- 137 Lessons
- Discord access
The Definitive Masterclass for Filmmakers who aspire to become Director of Photography. In this course, you'll learn how to craft cinematic images by mastering light, know all the existing emitters, and work in any possible light condition.
About me
Filippo Cinotti is a DOP and Colorist who operates worldwide on the commercials and film industry.
He started his career as a freelance FIlmmaker back in 2010. After 3 years in the Industry, he worked as a Freeflysystem MOVI Operator for a while, deciding then in 2016 to translate everything he was doing mainly into the image craft in its entirety.
In 2019 decided to take his knowledge and craft two high-end masterclasses for filmmakers who want to improve their skills.
He started his career as a freelance FIlmmaker back in 2010. After 3 years in the Industry, he worked as a Freeflysystem MOVI Operator for a while, deciding then in 2016 to translate everything he was doing mainly into the image craft in its entirety.
In 2019 decided to take his knowledge and craft two high-end masterclasses for filmmakers who want to improve their skills.
A Blackmagic Design Certified Trainer...
I have been part of the Blackmagic Design Trainers list since August 2020. This achievement is necessary to prove our audience’s true eligibility for what we deliver.
...forming Professionals
Knowledge-sharing is the Core of Plasma Republic, and we based our content creation on the same baseline.
1200+ students since 2019
Contents
🇺🇲 English Course Section
Take this path to watch all the lessons in English
01_Intro_ENG.mov
02_Defining_Light_ENG.mov
03_How_do_we_see_ENG.mov
04_Defining_Color_Models_ENG.mov
05_Defining_Color_Spaces _Difference_between_Professional_VS_Consumer_Monitors_ENG.mov
06_Tools_every_Cinematographer_needs_to_have_ENG.mov
07_Apps_every_Cinematographer_needs_to_have_ENG.mov
08_Using_a_Reflected_&_Incident_Light_Meter_ENG.mov
09_Defining_Type_of_Lights_ENG.mov
10_The_4_main_Light_Characteristics_ENG.mov
11_Defining_Light_Pureness_(CRI)_ENG.mov
12_What_is_a_Light_Emitter_ENG.mov
13_The_7_Main_Groups_of_Emitters_ENG.mov
14_Emitter_Families_ENG.mov
15_Emitters_at_Work_ENG.mov
16_Cut_and_Modify_Light_ENG.mov
17_Defining_the_Intentions_ENG.mov
18_Light_Ratios_Contrasts_(Ansel_Addams)_ENG.mov
19_Inverse_Square_Law_ENG.mov
20_Reading_False_Color_ENG.mov
21_Illuminating_Subjects_ENG.mov
22_Eye_Light_ENG.mov
23_5_Things_to_Look_at_When_You_Are_Illuminating_for_a_Close_Up_ENG.mov
24_The_Importance_of_the_Wardrobe_Dept_&_Set_Design_ENG.mov
25_Light_for_the_Story_Mood_ENG.mov
26_Preparing_your_Light_Scheme_ENG.mov
27_Illuminating_for_the_Situation_ENG.mov
28_Illuminating_for_Interiors_10AM_[DAY]_Filippo's_Top_Schemes_ENG.mov
29_Illuminating_for_Exteriors_10AM_[DAY]_Filippo's_top_schemes_ENG.mov
30_Illuminating_for_Interiors_12PM_[DAY]_Filippo's_top_schemes_ENG.mov
31_Illuminating_for_Exteriors_12PM_[DAY]_Filippo's_top_schemes_ENG.mov
32_Illuminating_for_Interiors_17PM_[DAY]_Filippo's_top_schemes_ENG.mov
33_Illuminating_for_Exteriors_17PM_[DAY]_Filippo's_top_schemes_ENG.mov
34_Illuminating_for_Interiors_[NIGHT]_Filippo's_top_scheme_ENG.mov
35_Illuminating_for_Exteriors_[NIGHT]_Filippo's_top_schemes_ENG.mov
36_Things_to_look_when_You_are_Illuminating_for_a_Master_ENG.mov
37_Futura_ENG.mov
38_Erbavita_ENG.mov
39_Sparkasse_ENG.mov
40_Divani_ENG.mov
41_Light_Meter_and_Spectrometers_ENG.mov
42_Light_Meter_and_His_Usage_ENG.mov
43_Spectometers_and_it's_usage_ENG.mov
44_Inside_a_Spectometer_ENG.mov
45_Chromatic_Index_of_Light_ENG.mov
46_C.R.I._ENG.mov
47_TLCI_ENG.mov
48_TM-30_ENG.mov
49_SSI_ENG.mov
50_Mired_Shift_ENG.mov
51_CCT_ENG.mov
52_Diffusion_Index_ENG.mov
53_Diffusion_Comparator_ENG.mov
54_Lighting_Filter_Comparison_Tool_ENG.mov
55_Matching_Natural_Light_ENG.mov
56_Continuity_during_Exterior_Filming_ENG.mov
57_Continuity_during_Exterior_Filming_With_Emitters_ENG.mov
58_Create_a_Look_in_Camera_ENG.mov
59_A_Chat_With_Lorenzo_Invernici_DP_ENG.mov
60_Shooting_With_Film_ENG.mov
Kodak 200T & Canon C500MKII | TEST FILES
61_Loading_a_Bolex_ENG.MP4
𝚂𝙿𝙴𝙲𝙸𝙰𝙻 𝙸𝙽𝚂𝙴𝚁𝚃 𝙵𝚁𝙾𝙼 𝙐𝙉𝙍𝙀𝘼𝙇 𝙀𝙉𝙂𝙄𝙉𝙀 𝙁𝙍𝙊𝙈 𝙁𝙄𝙇𝙈𝙈𝘼𝙆𝙀𝙍𝙎
Cinematography Breakdown_Set_Overview_ENG.mov
Cinematography Breakdown_The_Bridge_ENG.mov
Cinematography Breakdown_Golden_Crypt_ENG.mov
62_RED_Cinematography_Breakdown_ENG.mov
63_GREEN_BLUE_YELLOW_Cinematography_Breakdown_ENG.mov
🇮🇹 Sezione corso in Italiano
Percorso trattato in lingua Italiana
01_Intro_ITA.mov
02_Defining_Light_ITA.mov
03_How_Do_We_See_ITA.mov
04_Defining_Color_Models_ITA.mov
05_Defining_Color_Spaces _Difference_between_Professional_VS_Consumer_Monitors_ITA.mov
06_Tools_every_Cinematographer_needs_to_have_ITA.mov
07_Apps_every_Cinematographer_needs_to_have_ITA.mov
08_Using_a_Reflected_&_Incident_Light_Meter_ITA.mov
09_Defining_Type_of_Lights_ITA.mov
10_The_4_main_Light_Characteristics_ITA.mov
11_Defining_Light_Pureness_(CRI)_ITA.mov
12_What_is_a_Light_Emitter_ITA.mov
13_The_7_Main_Groups_of_Emitters_ITA.mov
14_Emitter_Families_ITA.mov
15_Emitters_at_Work_ITA.mov
16_Cut_and_Modify_Light_ITA.mov
17_Defining_the_Intentions_ITA.mov
18_Light_Ratios_Contrasts_(Ansel Addams)_ITA.mov
19_Inverse_Square_Law_ITA.mov
20_Reading_False_Color_ITA.mov
21_Illuminating_Subjects_ITA.mov
22_Eye_Light_ITA.mov
23_5_Things_to_Look_at_When_You_Are_Illuminating_for_a_Close_Up_ITA.mov
24_The_Importance_of_the_Wardrobe_Dept_&_Set_Design_ITA.mov
25_Light_for_the_Story_Mood_ITA.mov
26_Preparing_your_Light_Scheme_ITA.mov
27_Illuminating_for_the_Situation_ITA.mov
28_Illuminating_for_Interiors_10_AM_[DAY] _Filippo's_Top_Schemes_ITA.mov
29_Illuminating_for_Exteriors_10_AM_[DAY]_Filippo's_top_schemes_ITA.mov
30_Illuminating_for_Interiors_12_PM_[DAY]_Filippo's_Top_schemes_ITA.mov
31_Illuminating_for_Exteriors_12PM_[DAY]_Filippo's_top_schemes_ITA.mov
32_Illuminating_for_Interiors_17PM_[DAY]_Filippo's_top_schemes_ITA.mov
33_Illuminating_for_Exteriors_17PM_[DAY]_Filippo's_top_schemes_ITA.mov
34_Illuminating_for_Interiors_[NIGHT]_Filippo's_top_scheme_ITA.mov
35_Illuminating_for_Exteriors_[NIGHT]_Filippo's_top_schemes_ITA.mov
36_Things_to_look_when_You_are_Illuminating_for_a_Master_ITA.mov
37_Futura_ITA.mov
38_Erbavita_ITA.mov
39_Sparkasse_ITA.mov
40_Divani_ITA.mov
41_Esposimetro_e_Termocolorimetro_ITA.mov
42_Esposimetro_e_il_suo_utilizzo_ITA.mov
43_Termocolorimetro_e_il_suo_utilizzo_ITA.mov
44_Dentro_al_Termocolorimetro_ITA.mov
45_Resa_Cromatic_della_Luce_ITA.mov
46_C.R.I._ITA.mov
47_TLCI_ITA.mov
48_TM-30_ITA.mov
49_SSI_ITA.mov
50_Mired_Shift_ITA.mov
51_CCT_ITA.mov
52_Diffusion_Index_ITA.mov
53_Diffusion_Comparator_ITA.mov
54_Lighting_Filter_Comparison_Tool_ITA.mov
55_Matching_Natural_light_ITA.mov
56_Continuità_in_Esterna_ITA.mov
57_Continuità_in_Esterna_Con_Emittenti_ITA.mov
58_Creare_Un_Look_In_Camera_ITA.mov
59_A_Chat_With_Lorenzo_Invernici_DP_ITA.mov
60_Shooting_With_Film_ITA.mov
Kodak 200T & Canon C500MKII | TEST FILES
61_Loading_a_Bolex_ITA.mov
𝚂𝙿𝙴𝙲𝙸𝙰𝙻 𝙸𝙽𝚂𝙴𝚁𝚃 𝙵𝚁𝙾𝙼 𝙐𝙉𝙍𝙀𝘼𝙇 𝙀𝙉𝙂𝙄𝙉𝙀 𝙁𝙍𝙊𝙈 𝙁𝙄𝙇𝙈𝙈𝘼𝙆𝙀𝙍𝙎
Cinematography Breakdown_Set_Overview_ITA.mov
Cinematography Breakdown_The_Bridge_ITA.mov
Cinematography Breakdown_Golden_Crypt_ITA.mov
62_RED_Cinematography_Breakdown_ITA.mov
63_GREEN_BLUE_YELLOW_Cinematography_Breakdown_ITA.mov
🔗
Dream Cycle - Productions Links
- €199 or 3 monthly payments of €89
Cinematography for Filmmakers
- Course
- 137 Lessons
- Discord access
The Definitive Masterclass for Filmmakers who aspire to become Director of Photography. In this course, you'll learn how to craft cinematic images by mastering light, know all the existing emitters, and work in any possible light condition.