02_Defining_Light_ENG.mov
04_Defining_Color_Models_ENG.mov
05_Defining_Color_Spaces _Difference_between_Professional_VS_Consumer_Monitors_ENG.mov
06_Tools_every_Cinematographer_needs_to_have_ENG.mov
07_Apps_every_Cinematographer_needs_to_have_ENG.mov
08_Using_a_Reflected_&_Incident_Light_Meter_ENG.mov
09_Defining_Type_of_Lights_ENG.mov
10_The_4_main_Light_Characteristics_ENG.mov
11_Defining_Light_Pureness_(CRI)_ENG.mov
12_What_is_a_Light_Emitter_ENG.mov
13_The_7_Main_Groups_of_Emitters_ENG.mov
14_Emitter_Families_ENG.mov
15_Emitters_at_Work_ENG.mov
16_Cut_and_Modify_Light_ENG.mov
17_Defining_the_Intentions_ENG.mov
18_Light_Ratios_Contrasts_(Ansel_Addams)_ENG.mov
19_Inverse_Square_Law_ENG.mov
20_Reading_False_Color_ENG.mov
21_Illuminating_Subjects_ENG.mov
23_5_Things_to_Look_at_When_You_Are_Illuminating_for_a_Close_Up_ENG.mov
24_The_Importance_of_the_Wardrobe_Dept_&_Set_Design_ENG.mov
25_Light_for_the_Story_Mood_ENG.mov
26_Preparing_your_Light_Scheme_ENG.mov
27_Illuminating_for_the_Situation_ENG.mov
28_Illuminating_for_Interiors_10AM_[DAY]_Filippo's_Top_Schemes_ENG.mov
29_Illuminating_for_Exteriors_10AM_[DAY]_Filippo's_top_schemes_ENG.mov
30_Illuminating_for_Interiors_12PM_[DAY]_Filippo's_top_schemes_ENG.mov
31_Illuminating_for_Exteriors_12PM_[DAY]_Filippo's_top_schemes_ENG.mov
32_Illuminating_for_Interiors_17PM_[DAY]_Filippo's_top_schemes_ENG.mov
33_Illuminating_for_Exteriors_17PM_[DAY]_Filippo's_top_schemes_ENG.mov
34_Illuminating_for_Interiors_[NIGHT]_Filippo's_top_scheme_ENG.mov
35_Illuminating_for_Exteriors_[NIGHT]_Filippo's_top_schemes_ENG.mov
36_Things_to_look_when_You_are_Illuminating_for_a_Master_ENG.mov
41_Light_Meter_and_Spectrometers_ENG.mov
42_Light_Meter_and_His_Usage_ENG.mov
43_Spectometers_and_it's_usage_ENG.mov
44_Inside_a_Spectometer_ENG.mov
45_Chromatic_Index_of_Light_ENG.mov
52_Diffusion_Index_ENG.mov
53_Diffusion_Comparator_ENG.mov
54_Lighting_Filter_Comparison_Tool_ENG.mov
55_Matching_Natural_Light_ENG.mov
56_Continuity_during_Exterior_Filming_ENG.mov
57_Continuity_during_Exterior_Filming_With_Emitters_ENG.mov
58_Create_a_Look_in_Camera_ENG.mov
59_A_Chat_With_Lorenzo_Invernici_DP_ENG.mov
60_Shooting_With_Film_ENG.mov
Kodak 200T & Canon C500MKII | TEST FILES
61_Loading_a_Bolex_ENG.MP4
𝚂𝙿𝙴𝙲𝙸𝙰𝙻 𝙸𝙽𝚂𝙴𝚁𝚃 𝙵𝚁𝙾𝙼 𝙐𝙉𝙍𝙀𝘼𝙇 𝙀𝙉𝙂𝙄𝙉𝙀 𝙁𝙍𝙊𝙈 𝙁𝙄𝙇𝙈𝙈𝘼𝙆𝙀𝙍𝙎
Cinematography Breakdown_Set_Overview_ENG.mov
Cinematography Breakdown_The_Bridge_ENG.mov
Cinematography Breakdown_Golden_Crypt_ENG.mov
62_RED_Cinematography_Breakdown_ENG.mov