Professional Colorist Masterclass
Buy now
Learn more
Premium Products Download
Intro
Masterclass Introduction
Listening Tips
Module 1 - A path full of colors
Who is a Colorist?
When a Colorist becomes a Colorist?
Different paths In order to become a Colorist
What should study before you start
Sources for study
Mentors to follow
Module 2 - Learning DaVinci Resolve
Download Assets
Introduction to Resolve
Life with Databases
Properly Setting up a Project
Conforming & Editing
Proxies & Optimized Media Workflows
Hidden Gems
Color Space Overview
The Viewer
Nodes
Local & Remote Grades
Local & Remote Versions
Groups
Camera RAW
Color Match
Motion Effects
The Qualifier
Windows
The Tracker
Magic Mask
Blur
Key
Sizing
Keyframes
Scopes
Primaries & LOG Wheels
HDR Wheels
Everything about Curves
Color Warper
Color Correction & Color Grading
White Balancing
The Base Node
Basic node Tree
OFXs for Extra Features
Working with Secondaries
Matching Shots & Camera
Basics for Skintones
Artificial Lights
Exporting & Archiving
Module 3 - Before the grade
Color Theory Basics
Emotions Through Colors
Emotions Between Lights and Colors
Color Property
How our eyes see
Inherent Luminosity
Color Harmony
Luminosity Contrast
Simultaneous Contrast
Perceptual Constancy
Module 4 - Setting the professional mindset
Defining your professional scenario
Defining your professional self
What you really need
Communication
Collaboration
Clients approach before a project
Clients approach during a project
Module 5 - Studio setup
The Grading Suite
Proper illumination
About monitors
Monitor usage & Positioning
Hardwares
Monitor Calibration
Clients Abitudes/Dispositions
Walls
Working routines
Like home
Module 6 - Advanced colorist's tools
Download Assets - Module 6
Intro
Understanding Color Spaces
Working Scene VS Display Referred
Correct understanding of the CST
Other ways to Transcode your clips
DCTLs Usage
Undestanding Chroma Subsampling
Everything About LUTs
Everything About ACES
The usage of Optimized Media during the Color Grading workflow
The four main ways to start grading correctly a project
Davinci Resolve 19 - UPDATE
Davinci Resolve 19 Update.mov
Module 7 - Workflow pipelines & look creation
Download assets - Module 7
Setting up a project for Memory Colors
Skintones Memory Colors
Greens Memory Colors
Skyes Memory Colors
Memory Colors, Look Creation
Film Print Emulation Pipeline - Part 1
Film Print Emulation Pipeline - Part 2
Film Print Emulation Pipelines - Part 3
Pipeline for Commercials
Pipeline for Feature Films
Pipeline for Music Videos
Pipeline for Documentaries
BONUS Module - Advanced Grading Masterclass Pipelines
Download assets - Bonus Module
Advanced Pipeline Introduction.mov
Advanced Grading Pipeline - Fashion Film - Blue.mov
Advanced Grading Pipeline - Commercial - In Fabula.mov
Advanced Grading Pipeline - Music Video - Promises.mov
Advanced Grading Pipeline - Commercial - Strangers.mov
Advanced Grading Pipeline - Commercial - Quel Castello.mov
Advanced Grading Pipeline - Commercial - Christmas Wish.mov
Advanced Grading Pipeline - Commercial - Futura.mov
Advanced Grading Pipeline - Product Commercial - The Sailor.mov
Advanced Grading Pipeline - Fashion Editorial - Used to Be.mov
Module 8 - Freelancing
Defining your value
Keeping it simple
Finding the clients you want
Paid VS Free?
Reach big names
Find the industry you want
Creating a Showreel
What TO DO and what NOT to do when Freelancing
Module 9 - Social presence
Professionally Setting up Social Media
How people will see you
The Social Game
Tools to Use
Your smart schedule
Module 10 - Becoming original
Outside the Box
What everyone does
Kindness Selfishness
Art Lives Forever
Be Yourself
Module 11 - The HDR Workflow
What_is_HDR.mov
What_Defines_a_HDR_Display.mov
When_and_Image_Truly_is_HDR.mov
Monitors_for_HDR.mov
Monitoring_HDR.mov
Worchain_for_HDR.mov
Live example of the HDR Pipeline.mov
Settings_for_your_reference_monitor.mov
PQ&HLG.mov
Clarifications_on_bit_depth.mov
About_Brightness.mov
Ambient_Illumination.mov
Main_Misconception.mov
Display HDR in an SDR display.mov
Cameras_and_Standards_for_HDR.mov
Set your monitor in HDR.mov
Set_your_workflow_in_HDR.mov
Delivering_HDR.mov
𝘾𝙤𝙡𝙤𝙧 𝙂𝙧𝙖𝙙𝙞𝙣𝙜 𝙛𝙤𝙧 𝙁𝙞𝙡𝙢𝙢𝙖𝙠𝙚𝙧𝙨 [🇮🇹 𝙎𝙀𝙕𝙄𝙊𝙉𝙀 𝙄𝙉 𝙄𝙏𝘼𝙇𝙄𝘼𝙉𝙊 ]
01_Introduction_to_the_Colorist_World.mov
02_All_the_path_in_order_to_become_a_Colorist.mov
03_Sources_for_study.mov
04_From_Davinci_Final_Cut_to_Davinci_Resolve.mov
Download Assets
05_Istruzioni_Corso.mov
06_Introduction_to_Resolve.mov
07_Life_with_Databases.mov
08_Properly_setting_up_a_project.mov
09_Conforming_Methods.mov
10_Proxy_&_Optimized_Media_Workflows.mov
11_Color_Page_Overview.mov
12_Difference_Between_Color_Correction_&_Color_Grading.mov
13_Understanding_Nodes.mov
14_Understanding_the_Balance.mov
15_Reading_and_Understanding_Scopes.mov
16_Reading_Skintones.mov
17_Primary_Corrections_&_Secondary_Corrections.mov
18_Primary_Wheels_LOG_Wheels_HDR_Wheels_and_Curves.mov
19_Deep_control_of_Contrast.mov
20_Secondaries_with_Warper_&_Curves.mov
21_Windows_and_Qualification.mov
22_Key_Framing_Tracking_Animating_Grades.mov
23_Matching_Different_Cameras.mov
24_Working_with_Groups_&_Local_Remote_Grades.mov
25_Creating_Versions.mov
26_Everything_about_LUTs_and_why_they’re_actually_great.mov
Download PLASMA LUTs
27_Using_OFXs.mov
28_Artificial_Lights.mov
29_Digital_Retouching.mov
30_Best_settings_for_Web_Exports.mov
31_Best_settings_for_Broadcast_Exports.mov
32_Previewing_Exports.mov
33_Basics_of_Color_Theory.mov
34_Emotions_Through_Colors.mov
35_Emotions_Between_Lights_and_Colors.mov
36_Colors_Property_&_Inherent_Luminosity.mov
37_How_our_eyes_see.mov
38_Color_Harmony.mov
39_Luminosity_Contrast.mov
40_Simultaneous_Contrast.mov
41_Perceptual_Constancy.mov
Shopping List
42_The_Grading_Suite.mov
43_Proper_Illumination.mov
44_About_Monitors.mp4
45_Tools_for_grading.mp4
46_Clients_Abitudes_Dispositions.mov
47_About_Walls.mov
48_Working_routines_in_a_studio_that_feels_like_Home.mov
49_Understanding_Color_Spaces.mov
50_Working_Display_VS_Scene_Referred.mov
51_Correct_understanding_of_the_CST.mov
52_Other_types_of_CSTs.mov
53_DCTLs_Usage.mov
DCTL Download
54_Understanding_Chroma_Subsampling.mov
55_Extraordinary_OFXs_you_Need_(3D_RELIGHT_DEPTH_MAP_LOOK_DESIGNER).mp4
56_ Steal_my_Node_Trees.mov
Steal my Node Trees
57_Intro.mov
Download Assets
58_Memory_Colors.mp4
59_A014C278.mp4
60_A014C279.mp4
61_A014C281.mp4
62_A014C282.mp4
63_A014C283.mp4
64_A014C284.mov
Davinci Resolve 19 Aggiornamento.mov
65_What_is_HDR.mov
66_What_Defines_a_HDR_Display.mov
67_When_and_Image_Truly_is_HDR.mov
68_Monitors_for_HDR.mov
69_Monitoring_HDR.mov
70_Worchain_for_HDR.mov
71_Live example of the HDR Pipeline.mov
72_Settings_for_your_reference_monitor.mov
73_PQ&HLG.mov
74_Clarifications_on_bit_depth.mov
75_About_Brightness.mov
76_Ambient_Illumation.mov
77_Main_Misconception.mov
78_Display_HDR_in_an_SDR_display.mov
79_Cameras_and_Standards_for_HDR.mov
80_Set_your_monitor_in_HDR.mov
82_Delivering_HDR.mov
81_Set_your_workflow_in_HDR.mov
Products
Course
Section
Module 5 - Studio setup
Module 5 - Studio setup
Professional Colorist Masterclass
Buy now
Learn more
Premium Products Download
Intro
Masterclass Introduction
Listening Tips
Module 1 - A path full of colors
Who is a Colorist?
When a Colorist becomes a Colorist?
Different paths In order to become a Colorist
What should study before you start
Sources for study
Mentors to follow
Module 2 - Learning DaVinci Resolve
Download Assets
Introduction to Resolve
Life with Databases
Properly Setting up a Project
Conforming & Editing
Proxies & Optimized Media Workflows
Hidden Gems
Color Space Overview
The Viewer
Nodes
Local & Remote Grades
Local & Remote Versions
Groups
Camera RAW
Color Match
Motion Effects
The Qualifier
Windows
The Tracker
Magic Mask
Blur
Key
Sizing
Keyframes
Scopes
Primaries & LOG Wheels
HDR Wheels
Everything about Curves
Color Warper
Color Correction & Color Grading
White Balancing
The Base Node
Basic node Tree
OFXs for Extra Features
Working with Secondaries
Matching Shots & Camera
Basics for Skintones
Artificial Lights
Exporting & Archiving
Module 3 - Before the grade
Color Theory Basics
Emotions Through Colors
Emotions Between Lights and Colors
Color Property
How our eyes see
Inherent Luminosity
Color Harmony
Luminosity Contrast
Simultaneous Contrast
Perceptual Constancy
Module 4 - Setting the professional mindset
Defining your professional scenario
Defining your professional self
What you really need
Communication
Collaboration
Clients approach before a project
Clients approach during a project
Module 5 - Studio setup
The Grading Suite
Proper illumination
About monitors
Monitor usage & Positioning
Hardwares
Monitor Calibration
Clients Abitudes/Dispositions
Walls
Working routines
Like home
Module 6 - Advanced colorist's tools
Download Assets - Module 6
Intro
Understanding Color Spaces
Working Scene VS Display Referred
Correct understanding of the CST
Other ways to Transcode your clips
DCTLs Usage
Undestanding Chroma Subsampling
Everything About LUTs
Everything About ACES
The usage of Optimized Media during the Color Grading workflow
The four main ways to start grading correctly a project
Davinci Resolve 19 - UPDATE
Davinci Resolve 19 Update.mov
Module 7 - Workflow pipelines & look creation
Download assets - Module 7
Setting up a project for Memory Colors
Skintones Memory Colors
Greens Memory Colors
Skyes Memory Colors
Memory Colors, Look Creation
Film Print Emulation Pipeline - Part 1
Film Print Emulation Pipeline - Part 2
Film Print Emulation Pipelines - Part 3
Pipeline for Commercials
Pipeline for Feature Films
Pipeline for Music Videos
Pipeline for Documentaries
BONUS Module - Advanced Grading Masterclass Pipelines
Download assets - Bonus Module
Advanced Pipeline Introduction.mov
Advanced Grading Pipeline - Fashion Film - Blue.mov
Advanced Grading Pipeline - Commercial - In Fabula.mov
Advanced Grading Pipeline - Music Video - Promises.mov
Advanced Grading Pipeline - Commercial - Strangers.mov
Advanced Grading Pipeline - Commercial - Quel Castello.mov
Advanced Grading Pipeline - Commercial - Christmas Wish.mov
Advanced Grading Pipeline - Commercial - Futura.mov
Advanced Grading Pipeline - Product Commercial - The Sailor.mov
Advanced Grading Pipeline - Fashion Editorial - Used to Be.mov
Module 8 - Freelancing
Defining your value
Keeping it simple
Finding the clients you want
Paid VS Free?
Reach big names
Find the industry you want
Creating a Showreel
What TO DO and what NOT to do when Freelancing
Module 9 - Social presence
Professionally Setting up Social Media
How people will see you
The Social Game
Tools to Use
Your smart schedule
Module 10 - Becoming original
Outside the Box
What everyone does
Kindness Selfishness
Art Lives Forever
Be Yourself
Module 11 - The HDR Workflow
What_is_HDR.mov
What_Defines_a_HDR_Display.mov
When_and_Image_Truly_is_HDR.mov
Monitors_for_HDR.mov
Monitoring_HDR.mov
Worchain_for_HDR.mov
Live example of the HDR Pipeline.mov
Settings_for_your_reference_monitor.mov
PQ&HLG.mov
Clarifications_on_bit_depth.mov
About_Brightness.mov
Ambient_Illumination.mov
Main_Misconception.mov
Display HDR in an SDR display.mov
Cameras_and_Standards_for_HDR.mov
Set your monitor in HDR.mov
Set_your_workflow_in_HDR.mov
Delivering_HDR.mov
𝘾𝙤𝙡𝙤𝙧 𝙂𝙧𝙖𝙙𝙞𝙣𝙜 𝙛𝙤𝙧 𝙁𝙞𝙡𝙢𝙢𝙖𝙠𝙚𝙧𝙨 [🇮🇹 𝙎𝙀𝙕𝙄𝙊𝙉𝙀 𝙄𝙉 𝙄𝙏𝘼𝙇𝙄𝘼𝙉𝙊 ]
01_Introduction_to_the_Colorist_World.mov
02_All_the_path_in_order_to_become_a_Colorist.mov
03_Sources_for_study.mov
04_From_Davinci_Final_Cut_to_Davinci_Resolve.mov
Download Assets
05_Istruzioni_Corso.mov
06_Introduction_to_Resolve.mov
07_Life_with_Databases.mov
08_Properly_setting_up_a_project.mov
09_Conforming_Methods.mov
10_Proxy_&_Optimized_Media_Workflows.mov
11_Color_Page_Overview.mov
12_Difference_Between_Color_Correction_&_Color_Grading.mov
13_Understanding_Nodes.mov
14_Understanding_the_Balance.mov
15_Reading_and_Understanding_Scopes.mov
16_Reading_Skintones.mov
17_Primary_Corrections_&_Secondary_Corrections.mov
18_Primary_Wheels_LOG_Wheels_HDR_Wheels_and_Curves.mov
19_Deep_control_of_Contrast.mov
20_Secondaries_with_Warper_&_Curves.mov
21_Windows_and_Qualification.mov
22_Key_Framing_Tracking_Animating_Grades.mov
23_Matching_Different_Cameras.mov
24_Working_with_Groups_&_Local_Remote_Grades.mov
25_Creating_Versions.mov
26_Everything_about_LUTs_and_why_they’re_actually_great.mov
Download PLASMA LUTs
27_Using_OFXs.mov
28_Artificial_Lights.mov
29_Digital_Retouching.mov
30_Best_settings_for_Web_Exports.mov
31_Best_settings_for_Broadcast_Exports.mov
32_Previewing_Exports.mov
33_Basics_of_Color_Theory.mov
34_Emotions_Through_Colors.mov
35_Emotions_Between_Lights_and_Colors.mov
36_Colors_Property_&_Inherent_Luminosity.mov
37_How_our_eyes_see.mov
38_Color_Harmony.mov
39_Luminosity_Contrast.mov
40_Simultaneous_Contrast.mov
41_Perceptual_Constancy.mov
Shopping List
42_The_Grading_Suite.mov
43_Proper_Illumination.mov
44_About_Monitors.mp4
45_Tools_for_grading.mp4
46_Clients_Abitudes_Dispositions.mov
47_About_Walls.mov
48_Working_routines_in_a_studio_that_feels_like_Home.mov
49_Understanding_Color_Spaces.mov
50_Working_Display_VS_Scene_Referred.mov
51_Correct_understanding_of_the_CST.mov
52_Other_types_of_CSTs.mov
53_DCTLs_Usage.mov
DCTL Download
54_Understanding_Chroma_Subsampling.mov
55_Extraordinary_OFXs_you_Need_(3D_RELIGHT_DEPTH_MAP_LOOK_DESIGNER).mp4
56_ Steal_my_Node_Trees.mov
Steal my Node Trees
57_Intro.mov
Download Assets
58_Memory_Colors.mp4
59_A014C278.mp4
60_A014C279.mp4
61_A014C281.mp4
62_A014C282.mp4
63_A014C283.mp4
64_A014C284.mov
Davinci Resolve 19 Aggiornamento.mov
65_What_is_HDR.mov
66_What_Defines_a_HDR_Display.mov
67_When_and_Image_Truly_is_HDR.mov
68_Monitors_for_HDR.mov
69_Monitoring_HDR.mov
70_Worchain_for_HDR.mov
71_Live example of the HDR Pipeline.mov
72_Settings_for_your_reference_monitor.mov
73_PQ&HLG.mov
74_Clarifications_on_bit_depth.mov
75_About_Brightness.mov
76_Ambient_Illumation.mov
77_Main_Misconception.mov
78_Display_HDR_in_an_SDR_display.mov
79_Cameras_and_Standards_for_HDR.mov
80_Set_your_monitor_in_HDR.mov
82_Delivering_HDR.mov
81_Set_your_workflow_in_HDR.mov
It’s not always about grading in the
Batcave
, it’s about grading for your audience, in the correct way for their scenarios.
10 Lessons
The Grading Suite
Proper illumination
About monitors
Monitor usage & Positioning
Hardwares
Monitor Calibration
Clients Abitudes/Dispositions
Walls
Working routines
Like home